Inkjet prints on time punch cards, family photo archive
24.5” x 63”
2024
With this triptych, I employ the punch card as a means to confront the expendable and interchangeable Asian laborer. In accumulating capital, the West disregards the many lives necessary to sustain dominance and the US empire’s place as the center. In this work, I consider the losses that haunt diasporic communities and consider the potential of co-opting our relegation. How can we subvert implications of illegibility to divest power from American hegemony?
Installation during Another Day at the Orifice
RailSpur Gallery
Photo taken by Jacob Chung