KEVIN PHAN
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PROSTHESIS.MP4
In collaboration with Ali Meyer
Multi-channel video projection
7:00 Through this work, Ali Meyer and I explore the delineations of body and means in which we perceive corporeality and lived experience. Visually and conceptually, we will be exploring identity constructions in the digital age through a lens of queer experience. This includes digital video constructed through performance, appropriated collage, and digital disruption to explore how conceptual ideas can be manifested through physiological experience. 




Art Building 10D and RailSpur Gallery

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About

Kevin Quang Phan (he/him) is an interdisciplinary artist from Fort Wayne, Indiana. He earned his BA in East Asian Languages and Cultures from Indiana University-Bloomington in 2020 and received an MFA in Photo/Media at the University of Washington in 2024. His work addresses the illegibility of Asians in the White supremacist state and how modes of illegibility can be used to reject homogeneity and push for Asian American autonomy and agency. 

Artist Statement

Through my works, I have acknowledged the varying realities of the Vietnamese American experience. I confront the labor expectations and violences imposed upon my family using both video and photographic archives. Generally, the Asian American experience is haunted by losses: loss of culture, loss of agency, and loss of livelihoods. Unfortunately, there exist myriad voids and gaps across Asian American histories due to historic exclusions of Asians since America’s inception. In my navigation of the family archive, I create works that address these gaps and recontextualize our pasts as potentials and futurities that reject gendered and racialized rhetoric afflicting Asian America. What could have been if the U.S. had not intervened in the American War in Vietnam? How can we make use of illegibility and unintelligibility to shirk consignments of the U.S. empire?